SMA annual Awards for Excellence 2026
We are delighted to announce the nominations for the Society’s Annual Awards for Excellence will open on 1st July 2026.
Download information on how to enter here
The SMA awards celebrate amazing curation, collection management and people across our membership however small or large your museum. This year we are especially keen to receive nominations for our Collections project category.
Often under the radar, sometimes mis-understood, the stewardship of our collections is the foundation of all display, access, conservation and engagement. What might your story be? What quietly effectual, focused and transformative work has your museum completed that the rest of the sector should know about?
It’s easy to apply with winners presented with their awards at the SMA AGM in late September.
Information for making an entry can be found by downloading this document, but here’s a quick overview:
Categories
- Exhibition, Display or Interpretation project
- Collections based project
- Engagement and/or collaboration project. The Pieta Greaves award.
All projects should have been completed, within the UK, during the calendar year to 30th June 2026. Entries can be for physical and digital projects.
Deadlines
CLOSING DATE for entry is midnight on 31st July 2026. Winners will be notified on Monday 7th September and awards will be presented at the SMA AGM, via Teams, in September.
Good luck!
SMA AWARDS 2025 – Winners
Congratulations also to our Annual Awards for Excellence winners:
Award for Engagement and Collaboration, dedicated in memory of Pieta Greaves
Runner up: York Museums Trust Medieval Ritual Landscape
(MeRit) is an AHRC-funded project that explores the archaeological evidence for lived religion in medieval England (AD 1000-1600). It is a collaboration between the University of Reading and the British Museum, working with partner organisations in England, Denmark and the Netherlands. Alongside other sources of evidence, key to the project are metal-detected finds recorded by the Portable Antiquities Scheme (PAS), examples of which are highlighted by a display at The Yorkshire Museum
Winner: City of Edinburgh Council Archaeology Service: Edinburgh’s First Burghers: Revealing the Lives and Hidden Faces of Edinburgh’s Medieval Citizens
Celebrating the 900th anniversaries of both St Giles’ Cathedral and The City of Edinburgh, this project brought together new research by The City of Edinburgh Council Archaeology Service, and scientists and experts from The Francis Crick Institute (aDNA) in London, the University of Aberdeen (Isotopic analysis), and the Universities of Dundee and Edinburgh (Forensic Art and Facial Imaging) to reimagine the remains of medieval burials first excavated from around St Giles’ Cathedral in 1981. Craniofacial reconstructions of five early ‘Edinburghers’ were completed by Dr Maria Maclennan (The University of Edinburgh), showcased throughout the Cathedral using new visual projections and lighting designs by Mettje Hunneman (VideoLab Studio), along with a short documentary by Cinetopia featuring interviews with the project team and Cathedral staff, discussing the results and importance of the work to the heritage of the City and the Cathedral. The project culminated in a high-profile public exhibition in St Giles’ Cathedral, running for 6 months (5 June – 30 November 2025)
Award for Exhibitions Project
Runner up: Leicester Museums My Jewellery My Story
Inspired by the remarkable discovery of the 3,500-year-old Bronze Age necklace found in Cossington, Leicestershire, the exhibition My Jewellery, My Story, at Charnwood Museum bridged together the past and present showcasing artefacts alongside creative displays and stories from Leicestershire’s communities.
Winner: Museum of Liverpool “Treasure, History unearthed”.
This exhibition which runs until March 2026 features and variety of artefacts including Bronze Age hoards, Viking gold and silver, a ceremonial gold cape from Mold. It explores the largest collection of archaeological treasure ever shown in the region, with finds from the North-West and North Wales.
Watch our Conference 2019 videos online!
Keynote:The Telling of Human Stories
Waiting in the Wings (digital archaeological archives)
Driving Community Engagement and Research: a vision for Watling Street
Numismatics, Norman England and other Tricky Issues
Is Disposal a participatory practice?
Experiencing the gods: Displaying and interpreting Romano-British religion in museums
How can I put this? Interpreting the Evil Eye for a modern audience
Watch our Conference 2018 videos online!
And the individual videos are:
Bristol’s Brilliant Archaeology: planning for all ‘event’ …ualities
Your Dig: York Archaeological Trust’s new Participatory Community Engagement Programme
Visitor perceptions of, and engagement with, British prehistory displays
Positive Action with a 3D Printer
Documentation and Curation of 3D Visualization Projects
Displaying the Dead: results of the Leeds Museum visitor survey
A new approach to rationalising archaeological shell
Charging Ahead: Exploring fees for the transfer of archaeological archives in museums in England
I like to move it, move it……into archive suitable boxes
Pottery Shop? What Pottery Shop? Re – thinking Corbridge from the base up
Improving Archaeological Reference Collections and Typologies
Archaeology matters: pass it on!
Forging a positive collaboration between Swindon Museum & Art Gallery & Cardiff University
Old Collections, New Questions: Researching the Roman collections of the Yorkshire Museum
Birmingham: rediscovering archaeology for a superdiverse city
Putting Cyprus on the Map: promoting the Cypriot archaeology collections at Museums Sheffield
Papyrus for the People at the Petrie Museum